Well, I just finished up a meeting with Ian, Nate and Wesley. We reviewed a number of scenes that gave me goosebumps when I saw them for the first time with sound design and music. Our sound editors have been doing some amazing work lately, in particular, Trevor, with his waterphone is delivering stunning sounds for “Potential”. There are many people creating sounds to make the robot exosuits (see above) come to life…

Thursday, I was able to snag a couple copies of the July issue of Wired UK! (You can get a copy at Bulldog News in the U-District if you’re local, or at Barnes & Noble.) We felt like Steve Martin’s character in the comedy movie, The Jerk” when the new phone books arrived, “Now we’re legit!”

I listened to Jesse Stuart’s idea for Jerry’s (the masked character’s) “voice” today. I admit, I wasn’t sure about the idea at first; there are certain things you can do with a non-speaking character that you can’t do as easily with a speaking character, and I didn’t want to risk undermining that- but…

By the time you read this, Project London will be even more awesome.
Last week I was fortunate enough to spend days working with Kyle Kramer, Wesley Slover, and Scott Burnett! Kyle and I spent Thursday in the studio exploring a mix of the first reel—it actually sounds like a real movie! A bunch of the music and…

So we got a big treat in our inboxes: Half Acre Day’s original song for Project London, mixed by Tom Hall! The whole thing is just great. The lyrics are perfectly ambiguous/relevant, the melody is superfun, and the whole thing is as chock-full of hooks as a hungry Razortooth Trout. I don’t know when you’ll get to…